Newly digitized Native American newspapers, competitive typesetting, Black Civil War widows, the debt ceiling and WWI war bonds, Chew Heong v. United States, remembering the Rosewood Massacre 100 years later, and much more.
Between contested elections and global crises, seemingly every political issue today is seen as a “threat to our democracy.” But despite the general consensus on the desirability of democracy in the West, this system of the people and by the people has not been without its detractors. A century ago, the Russian-born anarchist, Emma Goldman (1869-1940), was the embodiment of a threat to American democracy. Her motto was “Death to Tyranny! Vive l’Anarchie!” As an anarchist, Goldman was against all forms of political authority, and for this she drew the ire not only of the American government, but of her native Russia as well.
Last Monday, the Metropolitan Museum of Art in New York City returned to its “First Monday at May” tradition, or as it is commonly known: the Met Gala. Drawing media attention and fashionistas from around the world, the Gala is the annual fundraising event for the museum’s Costume Institute. What began as a modest dinner held outside of the museum in 1948, has turned in recent years into a mega publicity event that brings to the museum millions of dollars in donations.
As scholars who have long been immersed in this pivotal period, we were excited to learn of the lavishly produced HBO series The Gilded Age. With the exception of the fabulously successful feature film Titanic in 1997, ours is a historical period that is often overlooked in popular culture. So we were delighted when The Gilded Age generated advance reviews in mainstream publications including the New York Times and Washington Post. We hoped it would bring attention to the period we find so important in our history, especially for the light it can shed on present day problems and issues—both how they were created and how they might be remedied.
In the introduction to her biography Belle Moskowitz: Feminine Politics and the Exercise of Power in the Age of Alfred E. Smith (1992), Elisabeth Perry explains her “initial reason” for searching for extant papers on her subject: “Belle Moskowitz was my paternal grandmother. She died before my parents . . . had even met.” She expounds further upon this fact in The Challenge of Feminist Biography: Writing the Lives of Modern American Women (1992). In this anthology each author explores the craft of “writing the lives of women from a feminist perspective” and shares their “methodological and conceptual tools” and their personal challenges.