Located in Chicago, the Driehaus Museum engages guests through architecture, art, and design within the 1883 Nickerson Mansion and the 1926 Murphy Auditorium. In this installment of “Field Notes,” Guest Services Coordinator Liz Ferry shares how the Museum’s rich interpretational scope, talented staff, and growing network of institutional connections help preserve these truly unique spaces and tailor the guest experience for maximum engagement. Driehaus Museum Executive Director Lisa Key will join other museum leaders on June 6 for the Closing Plenary of the SHGAPE Conference.
A Progressive Statesman Confronts Modern Art
The Progressive Era (ca. 1900-1920) was a time of great change in American life. Urbanization and industrialization increased, immigration grew, progressive reformers introduced new forms of government regulation, and new types of literature and art entered the scene. The changes delighted some Americans but confounded and upset others. Theodore Roosevelt (1858-1919) was a change-maker but also someone who struggled to understand and accept some of the changes of the era. Modern art, which debuted in the new century, was one of those changes.
The Met Gala Was Not the Fancy Dress Ball Historians Were Hoping For
Last Monday, the Metropolitan Museum of Art in New York City returned to its “First Monday at May” tradition, or as it is commonly known: the Met Gala. Drawing media attention and fashionistas from around the world, the Gala is the annual fundraising event for the museum’s Costume Institute. What began as a modest dinner held outside of the museum in 1948, has turned in recent years into a mega publicity event that brings to the museum millions of dollars in donations.